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Reworking of musical material and the reinterpretation of musical drama: Luciano Berio's Sequenza X (1984) and Kol Od [Chemins VI] (1996).

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dc.contributor.advisor Bennighof, James M.
dc.contributor.advisor McKinney, Timothy R.
dc.contributor.advisor Lai, Eric C.
dc.contributor.author Harbuziuk, David.
dc.contributor.other Baylor University. School of Music. en
dc.date.copyright 2006-08
dc.identifier.uri http://hdl.handle.net/2104/4895
dc.description.abstract Luciano Berio wrote a series of pieces entitled Chemins for soloist and ensemble. Each chemins contains one entire solo line from one of his sequenzas for solo instruments. Numerous similarities and differences between Sequenza X and Kol Od [Chemins VI] cause the "musical drama" present in the sequenza to be variously preserved or altered in the chemins. en
dc.rights Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. en
dc.subject Berio, Luciano, 1925-2003. Sequenza, no. 10. en
dc.subject Berio, Luciano, 1925-2003. Kol od. en
dc.subject Quotation in music. en
dc.title Reworking of musical material and the reinterpretation of musical drama: Luciano Berio's Sequenza X (1984) and Kol Od [Chemins VI] (1996). en
dc.type Thesis en
dc.description.degree M.M. en
dc.rights.accessrights Worldwide access en
dc.rights.accessrights Access changed 8-17-2010.
dc.contributor.department Music. en


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