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Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz.

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dc.contributor.advisor Zeiss, Laurel Elizabeth.
dc.contributor.author Brittingham, Joanie.
dc.contributor.other Baylor University. School of Music. en
dc.date.copyright 2009-08
dc.identifier.uri http://hdl.handle.net/2104/5370
dc.description.abstract The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas. en
dc.rights Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. en
dc.subject Operetta --- Austria --- Vienna -- 19th century. en
dc.subject Operetta --- Austria --- Vienna -- 20th century. en
dc.subject Strauss, Johann, 1825-1899 -- Criticism and interpretation. en
dc.subject Lehár, Franz, 1870-1948 -- Criticism and interpratation. en
dc.subject Stolz, Robert, 1880-1975 -- Criticism and interpretaion. en
dc.title Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz. en
dc.type Thesis en
dc.description.degree M.M. en
dc.rights.accessrights Worldwide access en
dc.contributor.department Music. en


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