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Metanarrative suspense in four sensation novels.

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dc.contributor.advisor Vitanza, Dianna M.
dc.contributor.author Baker, Tanya Fay.
dc.contributor.other Baylor University. Dept. of English. en
dc.date.copyright 2010-12
dc.identifier.uri http://hdl.handle.net/2104/8073
dc.description.abstract This thesis explains how sensation novelists Ellen Wood, Charles Reade, Wilkie Collins, and M.E. Braddon use secondary narratives, or metanarratives, as defined by critic Gerard Genette, to create textual suspense. These four novelists use metanarratives that suspend the main narrative and allow the narrator to interact with the reader to foster moral reform or urge the reader to solve the novel's mysteries. Chapters 2 and 3 discuss Wood and Reade's use of metanarratives to fulfill their objective of personal and social moral reform. Chapters 4 and 5 focus on Collins and Braddon's placement of textual clues in metanarratives which help the reader solve mysteries and puzzles while increasing the author's popularity. en
dc.rights Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. en
dc.subject Metanarrative. en
dc.subject Suspense. en
dc.subject Sensation novel. en
dc.subject Gerard Genette. en
dc.subject Wilkie Collins. en
dc.subject Mary Elizabeth Braddon. en
dc.subject Ellen Wood. en
dc.subject Charles Reade. en
dc.subject Moral reform. en
dc.title Metanarrative suspense in four sensation novels. en
dc.type Thesis en
dc.description.degree M.A. en
dc.rights.accessrights Worldwide access. en
dc.rights.accessrights Access changed 6-21-13.
dc.contributor.department English. en


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