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Film and intuition : an exploration of rhythm, pace, and the moving image.

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dc.contributor.advisor Hansen, Christopher J.
dc.contributor.author Shen, Patrick C.
dc.date.copyright 2011-12
dc.identifier.uri http://hdl.handle.net/2104/8283
dc.description.abstract Well-edited films are deeply rooted in the concepts of rhythm and pace. Many film editors argue that this sense of rhythm and pace is born out of a generalized sense of “intuition.” This concept of intuition is very rarely explored in academic scholarship. This paper explores and deconstructs the concept of the film editor’s intuition into definable methods of acquisition and usage. These methods are formed through the development of both a theoretical and practical frameworks. en_US
dc.publisher en
dc.rights Baylor University theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact librarywebmaster@baylor.edu for inquiries about permission. en_US
dc.subject Film editing. en_US
dc.subject Rhythm. en_US
dc.title Film and intuition : an exploration of rhythm, pace, and the moving image. en_US
dc.type Thesis en_US
dc.description.degree M.A. en_US
dc.rights.accessrights Worldwide access. en_US
dc.rights.accessrights Access changed 7/1/13.
dc.contributor.department Communication Studies. en_US
dc.contributor.schools Baylor University. Dept. of Communication Studies. en_US


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